Ursula K. Le Guin is a prolific writer who since the 1960s has published many books in the genres of science fiction, fantasy, poetry and nonfiction, for adults, young adults and children. Her highly literate work tackles such hefty themes as gender, politics, philosophy, sociology, environmentalism and religion. She has won five Hugos, six Nebulas and 19 Locus awards (more than any other writer).
Le Guin first became well known for her novel The Left Hand of Darkness (1969), which is part of her Hainish Cycle of novels depicting a future galactic civilization and examining the effects of contact between very different cultures. The Left Hand of Darkness is my favorite of Le Guin’s novels so far (since I have read less than a quarter of her large body of work). In the novel, Le Guin creates the alien world of Gethen, or Winter, a cold planet populated by androgynous peoples who take on one gender or the other only during mating. Told from the point of view of a human visitor to Gethen, the book presents a fresh look at the function of gender in society and how it affects politics, communication and religion. The book won both the Hugo and Nebula awards.
Another book in the Hainish cycle is The Dispossessed (1974), which depicts an utopian society on an alien planet, Anarres. Life on Anarres is contrasted with its twin world, Urras, when an Anarrean physicist visits Urras. Urras is characterized by rampant consumerism and materialism, as well as vast disparities between rich and poor. But as in most utopias, the Anarrean society is revealed to also have problems, such as societal pressure to conform and restrict scientific discovery. The novel won the Hugo, Nebula and Locus awards.
Other books in the Hainish cycle include: Rocannon’s World (1966); Planet of Exile (1966); City of Illusions (1967); The Word for World Is Forest (1976); Four Ways to Forgiveness (1995); and The Telling (2000).
Le Guin has written several standalone science fiction novels as well. The Lathe of Heaven (1971) is a speculative novel about a man whose dreams can alter reality. When he awakes, he may find the world entirely changed, and he is the only one who remembers how things used to be. He meets a psychiatrist who begins manipulating the changes, resulting in more and more destructive scenarios caused by unforeseen consequences. The Lathe of Heaven stretches the “what if” scenario to its outermost limits. The novel won the Locus Award.
A very different book is Always Coming Home (1985), which is set in a far future California. Following some kind of apocalyptic event, society has regressed to something resembling the culture of the early Americans, and the book might be considered fantasy except for a network of computers, left over from the earlier age, that continues to record the people’s history. The book is not a novel per se, but rather a collection of folklore, stories, poetry, anthropological record and one long novella that together provide a picture of this utopian society.
While these selections are among Le Guin’s best known books, they represent a small portion of her oeuvre. Le Guin has also published several pure fantasy novels for young adults in the Earthsea and Annals of the Western Shore series; alternate histories about the fictional European country of Orsinia; several books for children; and many poetry and short story collections.
About Le Guin:
- Official website
- Wikipedia article
- First Contact: A Talk with Ursula K. Le Guin (The New Yorker)
- How Ursula K. Le Guin Led a Generation Away from Realism (The Guardian)
- Happy birthday, Ursula K. Le Guin (Feminist SF)
By Le Guin:
- Ursula K. Le Guin reviews The Year of the Flood by Margaret Atwood (The Guardian)
- My Letter of Resignation from the Authors Guild (via MetaFilter)
On the blogs: