Top 10 Poets?
August 20, 2008 at 8:34 am | In Authors, Genres | 2 CommentsTags: Bob Dylan, e.e. cummings, Emily Dickinson, Fred Chappell, Langston Hughes, Poetry, T.S. Eliot, Walt Whiman, Walt Whitman, William Butler Yeats, William Carlos Williams, William Shakespeare
I have to admit that I am not a big poetry reader. I prefer the meatiness of a novel. But I do harbor fond feelings for particular poets who have really moved me.
For me, a poem has to ultimately be about an emotion, and a good poem stirs emotion in the reader. The poem is such a condensed form that it really needs to be precise, to evoke an image fully, and then connect that image to an emotion, but not in an obvious way. A good poem is truly “in the moment.”
I recently read an interesting article about ranking the best poets ever. I can’t see how a list of top 10 poets can be anything but subjective. It’s all about who moves you.
Here is my personal list of my favorite poets (I’m not numbering them because I can’t put them in hierarchical order–they are all great):
- William Butler Yeats
- William Shakespeare
- William Carlos Williams
- Walt Whitman
- T.S. Eliot
- e.e. cummings
- Emily Dickinson
- Langston Hughes
- Bob Dylan
- Fred Chappell
I’m sure I’m missing many great poets because I haven’t been exposed to them. Who are your favorite poets?
Let me leave you with this wonderful poem by William Carlos Williams:
Spring and All By the road to the contagious hospital under the surge of the blue mottled clouds driven from the northeast-a cold wind. Beyond, the waste of broad, muddy fields brown with dried weeds, standing and fallen patches of standing water the scattering of tall trees All along the road the reddish purplish, forked, upstanding, twiggy stuff of bushes and small trees with dead, brown leaves under them leafless vines- Lifeless in appearance, sluggish dazed spring approaches- They enter the new world naked, cold, uncertain of all save that they enter. All about them the cold, familiar wind- Now the grass, tomorrow the stiff curl of wildcarrot leaf One by one objects are defined- It quickens: clarity, outline of leaf But now the stark dignity of entrance-Still, the profound change has come upon them: rooted, they grip down and begin to awaken
Is Margaret Atwood a Science Fiction Writer?
May 22, 2008 at 9:12 am | In Authors, Books | No CommentsTags: Science fiction, Philosophy, Dystopia, Feminism, Margaret Atwood, Historical fiction, Booker Prize, Literature, Spiritual sci fi
I have read three novels by Margaret Atwood (and I have two more waiting on my ‘to read’ shelf), and I have found her to be a consistently satisfying writer. I wouldn’t say that I loved all of her books, but they have all kept me interested and engaged, which is saying quite a lot. Even more impressive, I think, is that Atwood is considered a mainstream writer, but she gets away with writing fiction that could be called science fiction. And she wins major awards for it! She doesn’t write only science fiction, though, but also tries her hand at other genres, such as historical fiction. Not many writers can be successful at genre-hopping, but more are trying it. Michael Chabon and Kazuo Ishiguro spring to mind.
My favorite book by Atwood has got to be The Handmaid’s Tale. I first read it when I was younger and then reread it fairly recently. This novel is unabashedly science fiction. It is set in a dystopian future, in which the U.S. government has been taken over by Christian fundamentalists and a lot of basic rights have been stripped away. Due to extreme pollution, many people have become infertile. Those women who are fertile are enslaved as Biblical-style handmaids, conceiving and bearing children for wealthy, infertile women.
Despite being science fiction, I think this novel was so successful and has been so widely read because its core message is a frightening warning about how quickly and easily the freedoms we take for granted can be stripped away. What struck me the last time I read it is the method of depriving women of their rights that was used: Their bank accounts were frozen, and electronic access to money was cut off. As we are well on our way to a cashless society, this struck me as an all-too-real danger, one we placidly accept. The feminist themes, presented in a very compelling way, also make the novel more accessible to a wider audience.
I recently finished The Blind Assassin, which won the Booker Prize and which I also enjoyed very much. The genre of this novel is not as straightforward, but it does contain science fiction elements. In fact, its structure is very unusual, in that it is a novel within a novel within a novel. The framing structure is a straightforward historical novel about a wealthy Canadian family’s fall from grace during the Depression and World War II. Within this novel is an intertwined story of two unnamed lovers and their clandestine affair. During their meetings, the lovers — one of whom is a pulp writer — tell each other a bizarre fable that takes place on an alien planet, which underscores their unspoken feelings for each other. The fable, titled The Blind Assassin, is turned into a novel by one of the characters that develops a cult-like following. The intricate structure makes this an engrossing novel, but it is questionable whether it can be called science fiction. Nevertheless, Atwood is definitely experimenting here.
Finally, Alias Grace is the Atwood novel I liked the least, even though I still enjoyed it. It is a historical novel, but also a bit of a psychological suspense thriller. It is set in 19th century Canada and tells the story of Grace Marks, imprisoned for the double murder of her employer and his housekeeper/lover. Grace does not remember the events of the actual murder, and a group of churchgoers, who believe she is innocent, have engaged a psychiatrist to find out what really happened. The real story must be pieced together from newspaper accounts, letters and the points of view of two unreliable narrators: Grace and the psychiatrist, who has become obsessed with her. The reader is never left entirely satisfied as to what actually happened. So again, Atwood is experimenting with structure and story.
Oryx and Crake is the next Atwood novel I plan to read. Again, this is a novel with science fiction elements that cannot be considered strictly science fiction.
I really enjoy it when authors break the artificial boundaries of genre established by publishing companies and bookstores. Traditional science fiction has its own formula, not one that I typically enjoy, except in the hands of a really skilled writer. But the brand of science fiction that Atwood writes — or perhaps I should call it speculative fiction – resonates much more strongly with me.
Authors Worth Reading: Neil Gaiman
April 22, 2008 at 5:08 pm | In Authors, Books | 4 CommentsTags: Adventure, Comedy, Fantasy, Graphic novel, Hugo award, Literary collaboration, Nebula award, Neil Gaiman, Norse mythology, Post-apocalypse, Short stories, Spiritual sci fi, Terry Pratchett
I was first introduced to Neil Gaiman years ago through The Sandman comic books. I was never a big comic book reader (being a girl and all), but Sandman was different: compelling, dark, creepy, with fully developed stories and characters. They read less like comic books and more like beautifully illustrated novels; at the time, I was not familiar with the term graphic novel.
I didn’t become a fan of Gaiman, though, until he moved from the comics to writing novels. His first novel, Good Omens (1990), co-written with Terry Pratchett, became an instant favorite (5 stars!). Good Omens is a laugh-out-loud rendition of the End Times, starring a demon and an angel who are best friends, the 11-year-old Antichrist, the last witch and the four motorcyclists of the apocaplypse, among others.
My absolute favorite Gaiman novel is American Gods (2001) — five stars! It’s pretty rare that I read a novel that gels so neatly with what I think and feel about the world. This is such a novel. It’s about gods — gods who are brought to life by people’s belief in them, brought to America via the faiths of immigrants, and then grow old and waste away once those beliefs fade. These gods come from all over the world: from Norway and Eastern Europe, from Africa and India. But in America, they find themselves competing with new objects of worship — the Internet, automobiles, the media — which have themselves been transformed into gods by humans’ adoration of them. Caught in the middle, the stooge of the god Odin (called Wednesday), is a recently released convict named Shadow, a non-person who lets life and all the amazing things he sees roll right past him without affecting him, who is, in the words of his dead wife, “not really alive.” Until he hangs on Odin’s tree, and dies. This brief summary only scratches the surface of this multilevel novel. Every page is a discovery, and the gods that populate them all seem familiar, like old friends.
Honorable mentions have to go to more recent publications Anansi Boys (2005) and Fragile Things (2006). Anansi Boys picks up the themes of American Gods. While entertaining, it is not in the same league, although some of the scenes depicting the end of the earth where the gods reside are truly haunting. Unfortunately, the plot is too neat and too similar to other comic fantasy novels I’ve read. You can’t expect an epic on the order of American Gods every time, though, and this between-meal snack was good enough to tide me over.
Fragile Things is a collection of “short fictions and wonders,” including stories, poems and other short pieces, as well as a novella featuring Shadow, the main character from American Gods. For the most part, the stories are weird, creepy, fun horror and dark fantasy. Gaiman includes a lengthy introduction with notes on each piece. I found it interesting that he only wrote a story or poem when specifically commissioned to do so—none of these pieces was written on impulse.
If you can’t get enough of Neil Gaiman, he is also a prolific blogger.
Weird Convergences: Michael Chabon’s Unproduced Screenplay for Spider-Man 2
April 13, 2008 at 8:09 am | In Authors, Movie adaptations | No CommentsTags: Michael Chabon
McSweeney’s, one of my favorite independent publishers, is releasing a new book by Michael Chabon, one of my favorite authors: Maps and Legends, Chabon’s first collection of nonfiction. In honor of the book release, McSweeney’s has posted online Chabon’s proposed screenplay for Spider-Man 2, which didn’t get made (obviously), although Chabon got a writing credit in the final product.
Spider-Man, Michael Chabon and McSweeney’s fans, rejoice!
(Hurry — apparently this never-before-seen screenplay is available only for a limited time.)
Stephen King All Over the News (But in a Good Way)
April 10, 2008 at 1:11 pm | In Authors, Books | No CommentsTags: Stephen King, Richard Matheson, Joe Hill
I’ve seen Stephen King, one of my favorite authors, popping up in a lot of places lately. So here’s a roundup of King news.
According to Techdirt, Stephen King has spoken against the latest attempt to ban violent video games because of their so-called detrimental effect on children. King is very familiar with being banned, and he draws parallels between the evil video games of today and the evil horror comics of his childhood. There is always an evil bugaboo, but that bugaboo is usually a scapegoat for deeper problems that we’d rather ignore. In any case, the only people who should be making decisions about what to keep a child from reading/watching/playing are that child’s parents. So where are the parents?
In a survey on favorite books, The Bible took the number-one spot, of course, but King’s The Stand was number 2 for a lot of respondents. The Stand is probably my favorite King book as well. Other notable favorites were The Lord of the Rings, To Kill a Mockingbird and Catcher in the Rye.
Write to Done has a nice article on Stephen King’s greatest lesson for writers: to write fearlessly. This is one of the qualities I admire most about King’s writing, that he has always stretched and challenged himself, and even risked failure in the interest of trying something different. In fact, I criticized King’s latest book because I fear he has stopped writing fearlessly and is now playing it too safe.
Finally, King and his son Joe Hill are collaborating on a novella for a collection honoring horror author Richard Matheson, titled He Is Legend. I’m looking forward to that. I’ve also been enjoying the comic book adaptations of The Dark Tower; the second part of the series, “The Long Road Home,” features new material in the Dark Tower universe (sanctioned by but not written by King).
Doris Lessing and My Father Slow to Accept the Internet as “Real” Reading and Writing
December 11, 2007 at 12:12 pm | In Authors, Writing | 1 CommentTags: Doris Lessing
I find it amusing how history continually repeats itself and human nature proves to be so reliably predictable. Those who in their youth were advocates for change, progress and innovation, in their old age denounce the very same change, progress and innovation as a great threat to our culture, forgetting that they were once denounced in the same way.
This is the reaction I had when I read that Doris Lessing used her Nobel Prize acceptance speech to denounce the Internet as “inane,” something that does not promote reading and writing in young people. I have to wonder how much time Lessing has actually spent on the Internet. If she is anything like my father, who regularly complains about the Internet, computers, new-fangled dashboards on cars, cell phones, ipods and anything else remotely related to technology, she has spent very little time online.
Consider this quote from Lessing’s speech: “We are in a fragmenting culture, where our certainties of even a few decades ago are questioned…” Can’t that same quote be applied to pretty much any time in history? Lessing herself, who has rallied against the unquestioned destiny of women as wives and mothers and who has decried racial inequalities, should welcome the continued questioning of those certainties. Questioning and changing are signs of an evolving society.
It amazes me that a writer would pooh-pooh the democratization that the Web has brought to enabling everyone — not just those who can find a publisher — share their ideas through writing and to freely read and discuss the published ideas of others. The Web has fundamentally changed the exchange of information and ideas, from a one-to-many broadcasting paradigm where what was published was tightly controlled and tailored to the widest possible tastes, to a many-to-many (or some-to-some, depending on the niche) paradigm where everyone can be their own publisher and let each member of the audience decide what’s worth reading. Sure, you have to wade through a lot of the chaff to get to the wheat, but the beauty of it is that each individual gets to decide what’s valuable, not some conglomerate publisher with a bottom line to protect. If anything, the Web has produced more writers and readers — it’s just that they aren’t writing and reading in traditional formats.
Well, the novel hasn’t been around forever either; in fact, it’s a relatively new form. Change is inevitable, and therefore worth embracing. Just as the printing press revolutionized publishing and made the written word more widely available, making it possible for Lessing to have the career she’s had, so too is the Internet a new revolution in the sphere of writing and publishing. Look at the garbage that the major publishers keep trying to feed us — this is a revolution whose time has come. I think the advent of the e-book and publishing on demand, in addition to blogs, will make it possible for more people with something worthwhile to say to reach an audience and have an impact than ever before in our history.
All I Have Is a Voice
October 18, 2007 at 9:33 am | In Authors | 2 CommentsTags: W.H. Auden, Poetry
Image by Dan Strange via FlickrI don’t read a lot of poetry, but sometimes I come across a poem that strikes such a nerve I am compelled to make it part of my personal canon. This is actually an excerpt from W. H. Auden’s much longer poem, “September 1, 1939″:
All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.Defenceless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.
It is just as compelling today as it was in 1939. Read more about W.H. Auden.
In Remembrance of Kurt Vonnegut: Cat’s Cradle
September 24, 2007 at 8:36 am | In Authors, Reviews | No CommentsTags: Anthropology, Kurt Vonnegut, Philosophy, Post-apocalypse, Postmodern, Satire, Science fiction, Spiritual sci fi
Cat’s Cradle, Kurt Vonnegut (1963)
It’s hard to believe that I had never read a book by Kurt Vonnegut until after he died, even though I am sure that I have read plenty of books that were influenced by his writing. In honor of Vonnegut, and in order to introduce myself to his work, I read Cat’s Cradle upon learning of his death. The plot of Cat’s Cradle can’t really be summarized, but the story depicts the destruction of the world by means of a misguided invention and human folly. It was a terrific ride into the absurd, in which Vonnegut uses absurdities to expose the absurdities of the human species.
About Kurt Vonnegut:
- Official website
- The Vonnegut Web
- The Complete Kurt Vonnegut Web Page
- Kurt Vonnegut Corner
- NPR: Kurt Vonnegut Judges Modern Society
- “Cold Turkey” (online essay)
- “Strange Weather Lately” (online lecture)
- “2BR02B” (online short story)
- Bokononism.com
15 Things Kurt Vonnegut Said Better Than Anyone Else Ever Has or Will
April 25, 2007 at 8:42 am | In Authors | No CommentsTags: Kurt Vonnegut
Image via WikipediaThis collection of 15 pertinent quotes by Kurt Vonnegut is, I think, the most fitting of eulogies for an author. #6 is my favorite:
Many people need desperately to receive this message: ‘I feel and think much as you do, care about many of the things you care about, although most people do not care about them. You are not alone.’
Thanks to the Onion AV Club for posting this.
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